If there’s one thing that has defined marketing for almost the last 100 years and perhaps even more so today, it’s the constant drive to find new ways, new words, new mediums to spark consumers’ imaginations. For daring groundbreakers, that implies huge risks, huge failures, and huge rewards. For everyone else, it means new ideas, new inspiration, and new opportunities.
A few years ago, Advertising Age published its list of the top advertising campaigns of the century. The publication had three criteria for judging a campaign:
- If it was a watershed, discernibly changing the culture of advertising or the popular culture as a whole.
- If it itself was credited with creating a category, or if by its efforts a brand became entrenched in its category as No. 1.
- If it was simply unforgettable.
At the top of the list was Doyle Dane Bernbach’s 1959 “Think Small” Campaign for Volkswagen.
Ad Age wrote this about it:
“First of all, our thanks to Kurt Kroner, the man behind the defining example of the greatest advertising campaign of the century. He wasn’t the copywriter. That was Julian Koenig. Nor was he the art director. That was Helmut Krone. Nor was he elsewhere employed by Doyle Dane Bernbach, the agency that stormed the confining Bastille of advertising orthodoxy to ignite the “creative revolution.”
Actually, our hero wasn’t in advertising at all. Kurt Kroner was the one, among 3,389 Wolfsburg, Germany, assembly plant workers, to flag a blemished chrome strip on the glove compartment of a 1961 Volkswagen Beetle and reject the vehicle for delivery. Yes, if we are to believe Koenig’s copy, Herr Kroner gave us the famously failed and fabulously forlorn. . . “Lemon.”
God bless him, because in so doing he also gave advertising permission to surprise, to defy and to engage the consumer without bludgeoning him about the face and body. Kroner offered up a lemon with approximately the same result of Eve offering the apple. Not only did everything change, but suddenly things were a lot more interesting.”
Suddenly Things are a Lot More Interesting
In following the developing trends in marketing today, it strikes me that we’re at a moment in time, like 1959, when things are about to get a lot more interesting. And that’s exciting.
The explosion of digital mediums. The interactivity of those mediums (touch screens; voice activated commands; hands-free, full-body video control). The cross pollination of technology (using your cell phone to connect to your online presence; your TV to get additional information on material you’re watching in a broadcast…). The social networking rage. The expectation of user engagement. All of these are forming a perfect storm of possibility. Most in the marketing business are still struggling to understand how to use these mediums effectively. What I see most often are still campaigns designed from a very last-century world view – they talk at the consumer rather than with the consumer. There are a few, however, that are paving new ground, and perhaps one will become that groundbreaking campaign that will change everything. Like a great multi-stage bike racer – say Lance Armstrong – (a little plug for my favorite sporting event, the Tour de France as it is the month of July), a savvy brand manager will stay at the front of the marketing peleton (cycling term for big bunch of riders) watching carefully those marketers who break away from the pack, and jumping on the wheel of those mavericks of the race who show the most ability to help you achieve your goal. Or, better yet, know when to leap out in front yourself.
3 New Trends to Stay on Top of
1. Let Others Do the Talking About You
A new genre of websites, or rather, un-sites as blogger David Griner calls them in his blog “Web 3.0 is About Taming the Deluge of Data” are tapping into social network and Web content streams to promote their brands.
The upside: it’s fresh, updated frequently, honest, and less of a workload for you.
The downside: it’s unpredictable, uncontrollable…and honest. If you’re willing to risk the downsides, the upsides could reap rewards. How much, hard to tell yet.
Some examples of these types of sites:
• Skittles, which uses people’s references to its brand on their Twitter feeds; comments on their facebook page; and flickr and YouTube posts as the company’s website.
• The ad agency Modernista! which literally uses the Web as its website. When you type Modernista! into Google or you type in modernista.com you get a Google search page and several small red bars along the top of the page. One is the site navigation (you can drag and place it anywhere on the page you like) and the other is a notice that says the following:
“Do not be alarmed. You are viewing Modernista! through the eyes of the Web.
The menu on the left is our homepage. The blog is ours. Everything else is beyond our control.”
2. Brand Minimalism
Another type of un-site is the kind that takes the brand to where Web users hang out rather than making them come to it. For example, the agency BooneOakley’s site exists only on YouTube.
When you go to BooneOakley.com, it directs you to the company’s YouTube page where you can watch this video
The upside: it’s unexpected, invites user engagement, has a built in feedback mechanism, uses a video interface, is concise, should be simple.
The downside: it’s concise, perhaps too simple, feedback is open for all to see.
3. The Challenge
Probably nothing gets people more intrigued than if you challenge them to figure something out. In a perfect marriage of product, medium, and message, Samsung’s latest campaign for its new phones with high definition cameras is a poster child for how to do this right. The campaign, created by the Viral Factory in London, challenges viewers to figure out how the phone appears and disappears in the ad when the entire spot was shot in real time, on the camera phone, with no editing. The genius here is the chatter that it created simply by people trying to guess the trick. Samsung then came back and posted a “How we did it” piece, which had people coming back to their site/product to see the reveal.
The upside: it’s intriguing, highly engaging, it fits the medium beautifully, is a great example of something that feels self-made but was professionally crafted, promotes chatter, brings people back for more, gets multiple views as people are trying to figure out how the trick is done, and the metrics are easy to track. Not only are the views tracked by YouTube (over a million so far), but marketers were able to track how many times individual visitors viewed the piece, how long they watched it for, and whether they spent time replaying pieces of it.
The downside: hard to see a downside to this one, other that some of the random lude comments some people made. In general, I’d say this is an idea to jump on when you can.
Initial Spot
Camera Trick Revealed
Posted by Ineke
When I first began working at EMG in 2004, I will admit that I didn’t completely understand how solid strategy and creative design worked together. I had no idea how important that idea really was in the whole scheme of a successful brand. Why would you need a “separate brain” to think about strategy? Doesn’t that just come naturally along with the design? Well, no, not really.
Posted by Stephen 

Posted by Ineke 



Other opportunities on FB include using banner ads like the flash ad for Best Buy on the left. These appear mostly on your email home page.
